Johnny is an award winning photographer specialising in urban/barrio imagery. Described as a photographer of the people, Johnny talks to us about his life and his inspirations.
Richard James Palmer is a British photographer from South Shields, UK. He spends his time documenting the North East of England, using a Mamiya 7ii and Ilford Hp5, Richard has recently self published a book on his Home Town, “Home Sweet Home” and is currently working on a 365 project using Fuji Instax Wide and continuing to document his home town for Home Sweet Home volume 2.
Rodrigue Zahr is a Lebanon based director, editor and photographer whose imaginative humanistic style is reflected in the documentation of exceptional events, products and people within his work. Zahr is the production manager and photography director at ELLE Oriental magazine but has worked for national and international firms such as Monocle magazine, LS:N Global, Louis Vuitton, Ladurée Paris, Swedish minister for international development cooperation, Bank Audi, Step Together and many more. Zahr is known for his discerning journalistic sensibility.
I was in Leica Store Manchester yesterday and they let me take the new Summaron 28mm f5.6 out for a play. In fact, they insisted. I was looking at trading up my 50mm Summarit for a cron and we got chatting about the new lens, next thing I know he’s putting it on my M9 and sending me out to play.
As you know I have had a personal project this year to take as many street portraits as possible. Well, on holiday this year I decided to expand this project to man’s best friend. I actually found this as or more enjoyable than shooting humans! Maybe I’ll do a “Humans of New York” style website. Dogs of New York?
How do we improve our photography? How do we take better pictures? How do we get past the point we are at? I ask myself this all the time? As a teacher I know the best way for my students to improve is by getting high quality feedback and in today’s digital age that should be easier than ever. But is it?
How many times have you accidentally tripped the shutter and ended up with a random, often blurred picture? What do you do with them? Delete them? Kick yourself for forgetting to turn off your camera? Or keep them? Every now and then there is a shot among them which is a keeper. It doesn’t happen often but when it does there can be very interesting results. Odd angles, features highlighted which may have been ignored.